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(Not that that's stopped both right and left from trying to appropriate the "message" of "24.") But it's a shame, because despite the obvious challenges of adapting a medieval theological conspiracy to a show about contemporary counterterrorism, "24" has a mood that would have well suited The Da Vinci Code-shamelessly pulpy, compulsively entertaining, and far more interested in heedless forward motion than in having anything remotely thoughtful to say.
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Of course, there aren't enough advertiser dollars in the universe to get the bestselling novel of all time to settle for network television treatment. Joel Surnow, the creator of "24," reportedly tried to acquire the rights to The Da Vinci Code to serve as the plot for the show's third season. Unless he can get to the bottom of the conspiracy by afternoon, millions of innocent Americans will die horribly in a Biblical plague. the next morning and Jack, accompanied by a pretty biologist from the Centers for Disease Control and a grandfatherly ex-spook (who may or may not be what he seems), is on a private jet headed for Washington, DC. Jack traces the compound to a rogue operation being run out of the Office of Faith-Based Initiatives, using evidence he acquired by torturing an albino assassin sent after him by an overzealous undersecretary for ecumenical affairs. Jack cracks the code by consulting Van Gogh's painting Irises, and discovers that the virus derives from a legendary flower-based compound last used against the Cathars during the Albigensian Crusade.
#Da vinci code movie review series
The man's body has been horribly deformed by contamination with an unknown virus, but before dying he was able to use one of his open pustules to paint a series of coded phrases on the museum floor. A few minutes after 4 p.m., Jack Bauer is summoned from his office at the Los Angeles branch of the Counter Terrorism Unit to investigate the murder of a curator at the Getty Museum.